Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Levitan, Isaak
Sunny day

ID: 39258

Levitan, Isaak Sunny day
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Levitan, Isaak Sunny day


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Levitan, Isaak

Russian Painter, 1860-1900 Russian painter of Lithuanian birth. He largely painted landscapes (including pastel sketches), which are noted for their emotive or symbolic resonance. His 'landscapes of mood' had a profound influence on Russian landscape painting, to which he introduced a sense of the unity of humankind and nature, and of the spiritual power of the Russian   Related Paintings of Levitan, Isaak :. | Sunny day | Quietness | Lake | March | Verwachsener pond |
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Theobald Chartran
French Academic Painter, 1849-1907, He was a classical French academic painter. As 'T', he was one of the artists responsible for occasional caricatures of Vanity Fair magazine, specializing in French and Italian subjects. His work for Vanity Fair included Pope Leo XIII, Giuseppe Garibaldi, Umberto I of Italy, William Henry Waddington, all in 1878, Charles Gounod, Giuseppe Verdi, Ernest Renan, Jules Grevy, Napoleon Joseph Charles Paul Bonaparte, Victor Hugo, Marshal MacMahon, Granier de Cassagnac, Louis Blanc, and Alexandre Dumas, Fils, all in 1879.
Orozco, Jose Clemente
Mexican, 1883-1949 Mexican mural painter. When he lost his left hand at age 17, he abandoned architectural studies for painting, pursuing Mexican themes. As a caricaturist for a revolutionary paper, he explored Mexico City's slums and painted a series of watercolours, House of Tears, on the lives of prostitutes. The reaction of moralists forced him to flee to the U.S. in 1917, but in 1919 the new government of Álvaro Obreg??n welcomed him back, and he joined Diego Rivera and David Alfaro Siqueiros in creating large-scale murals for public buildings, in which he continued his radical social commentary. Again forced to abandon Mexico in 1927, he worked until 1934 in the U.S., where his style evolved and matured in murals from coast to coast. In 1934, his international reputation firmly established, he returned to Mexico and embarked on his most technically impressive and emotionally expressive murals, including Catharsis (1934),
George earl
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